Leveler/Reveler: Addendum

Two anecdotes:

About Paul: When I first met Crissy, I was in a wild state at a Franz Ferdinand concert. It was a joining of old friends around an artist that brought some of us together to begin with. And there was a new and just as lively Crissy. At one point during the night she told me she had the perfect gay boy that I needed to meet. I asked her, “does he look like me?” She responded no. I told her, “I’m not interested.” Every time I think about this completely ridiculous exchange, I die laughing. When I get performative, I lose track of all reality.

About Ian: Ian had two personal pets as a child, a seagull and a squirrel. Both animals were recoveries. While I was eating last night he told me that sometimes I behaved like the seagull. He would offer it a prime cut of sirloin (this is funny in itself) and the bird would swallow it without even taking the time to savor it. It would gulp. I wasn’t offended. When I asked him how the squirrel ate, he informed me: it would climb down my arm, take almonds off whatever sweet bread I had on my plate, climb back up my arm and nibble it on my head. That is sort of how Ian eats.

Published in:  on January 30, 2009 at 2:20 am Leave a Comment
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Leveler/Reveler

After being harbored last night by two very loving and relatively new friends, a mentor and a muse, I felt I needed to interject before posting The 15th Pt. II (about Maggie).

The changing landscape of my friends this year was not all negative. I gained more than a few that I believe will either leave long lasting impressions on my person, or be there, by my side, till my end of days. I’ve already written about Ian and Paul, but as they were together last night and on my behalf, it warrants addressing.

In the early spring, when it was still cold – and in fact, on the same day I lost my job at Domino Magazine (which folded today, Poor Wendys.), I attended John Cameron Mitchell’s monthly party Mattachine. I quickly became drunk, was very loud and believe I must have been canceled on by some people, or invited too many and don’t recall spending proper time with anyone.

Regardless, I met Ian. I had heard of him. We shared friends. I was curious to meet him because of the nature of his work. I did, managing to tone down my absurdity and we both made lasting impressions. I then, however, disappeared for a few months. When I came back to New York City, I tracked him down and finally called. He asked me what took so long.

A great deal happened between that moment and where we are now. He has been the greatest teacher I’ve met. He has trained me in the art of being, well, simply put: me. He taught me how to stand, how to look at the world, how to eat and speak, how to listen. He took a dimension of myself and expanded it, over caviar and champagne. He gave me books and showed me art and theater. He taught me Mahalia and Rosemary Clooney.

And he shared with me his story. That is what I am most thankful for: sitting with him and cigarettes and gin in his living room and listening to how he became who he is. Ian is a leveler and a reveler. He makes no effort to hide his judgment over some of the things I do and say. With his WASP sensibilities and Jewish sense of humor, he will bring me down with a smile, but because he knows I will respond and react. He levels me. He also has faith in me, and makes that apparent in more than just a desire to better me. He sings my praises about how far I’ve come (and from such an unstable place). For me, he is a reveler as well. Dinner’s with Ian over the late summer kept me alive. He, himself, kept my spirit alive. He is much more difficult to get in touch with these days, busy with work and his unending supply of visitors, but every shared moment we have is truly valuable to me.

I wrote something already about meeting Paul and I’ll share an edited version here:

In a daze, leaving the Diesel 30th Anniversary Party, I lost track of my friends just past the exit. I turned around to find them and met the face of a blond boy. As he walked beyond me I slowly followed, thinking about what I could potentially say to make him think I was interesting or worthwhile. I was startled by how drawn to him I was. For a moment, everything was silent and blurred. He was a point of light.

From nowhere, a girl jumped on his back and shouted, “Paul!” She slid off and I realized I had come to the event with her. Paul was a classmate of a new concert friend, Crissy. She introduced me to him:

Paul, this is David.”

He extended his hand, which I welcomed.

“You are absolutely adorable” were my only words. He smirked and before anything else could be said Crissy pulled him off into the distance. I watched before realizing I was supposed to be leaving with other friends.

I located them and walked on making all the tales of Paul align with my real image of him.

That night I alerted Crissy that I had a terrible crush on her friend Paul. She told me he had a boyfriend and I sank.

He had in one instant, made everything else disappear. Crissy, and her statement, brought everything into painfully sharp focus. He was beautiful. Unique looking, yes, but clearly exquisite. Something profoundly insecure about myself only allows me to pursue people whose very look overwhelms me. It constantly sets me up for defeat and Paul was clearly taken.

So, that was where it began. Since that moment, I’ve struggled to stop writing about him. Our relationship has developed. I know him, now, for example. And I love every bit that I know. I want to learn more, and find myself craving such.

He is a leveler/reveler. I stand in awe of him, and feel humbled. He is someone worthy of destroying my peace for. He does indeed have an aura. And I stand with him and feel confident because he too cares about me. His affection reinforces. Ours is a dance on light feet with lighter hearts.

Last night, Ian and Paul met. It was odd for me. So fresh our relationships: so much change in one year’s time. And Paul medicated me, as I am still without health insurance. Ian, once more, fed me. And the three of us, all vastly different creatures, occupied the same space and the same time and I felt whole.

Published in:  on at 1:26 am Leave a Comment
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Scene and Art

Ian & Tom shot by Patrick McMullanMy close friend, and sometimes mentor, Ian shares the spotlight of an iconic 1980’s Patrick McMullan photograph with his then boyfriend, Tom Ford. Over the past few months I’ve become obsessed with the photo and all the meaning that I’ve applied to it. The photo was taken outside of Studio 54, when both were in their early twenties. Today, Tom Ford is a fashion icon. Ian is an incredible and incredibly successful artist. But there they were, still children in my opinion, together at a party.

The relationship between scene and art plagues me. All I can speak of are my insecurities and testimonials, but I find for someone like myself the two must be bound.

Perhaps this is a product of Warhol adoration, or the lives of art stars like Ryan McGinley or Keith Haring. All are, or were, well publicized and it seems for social activity as much as their art.

Paul and I dance. A lot. I’ve fallen under the wing of Manhattan’s greatest hosts (promoters). There is never want for a party or free alcohol. Somewhere, out there, one is waiting. I am a Coppola kid. He delivers, hands down, the most interesting and liveliest group of people. I’ve been one of Zackery Michael’s and a Six Six Sick girl. Finally, and most important to this endeavor, I found a promoter who is also an artist: Chris Tucci. We will return to this.

We do not have Studio 54. We do have The Box and Beatrice. And contrary to certain belief, Bungalow 8 is still exciting and The Plumm, when filled with the right people is the most ridiculous of all. The Plumm, more than any other, is ours. So Paul and I go, and we dance and we drink, sometimes excessively.

More important, however, than the indulgences and the sometimes celebrity faces: A. Art is discussed. B.  Art is made.

A.

Paul is a very talented artist with an incredibly sincere and likable style. From illustration to painting to his sketches he continues to demonstrate his unique eye and mind. His art could well stand on its own, but coupled with his personality I have no doubt in his future. He captures life and freezes time.

Chris Tucci’s art is so mind bogglingly detail oriented. It draws immediate comparisons to Edward Gorey, but manic. It has soul, and a twisted one at that. His project: I’ve never had more faith in a peer’s substance and output.

My art… well that is my writing. I have less to show for myself than the others: a blog, two unpublished manuscripts, a slew of prose poems and everyone’s favorite: short stories. Still, I am educated and consider myself an artist. I consider the amount of myself I pour forth into my writing a fundamental part of the artist’s process.

I met Paul at a Diesel party. I met Chris at The Plumm. I introduced them at LaZarza. Relationships were forged with drink and dance. Bacchus would be proud.

And we add substance to this scene, our scene, because we recognize that we exist outside of it to make what our very body lives for. I think that art and its artists must be seen, such is the trend. It is at The Box that I talk manuscripts. It’s at The Plumm where I talk screenplays. It is at Beatrice where, yes, I actually talked web television scripts. Others before us were inspired by similar places, by everything beautiful and grotesque they saw there. We are no different.

B.

The scene is documented. Much like what Patrick McMullan did for Studio 54, a Coppola kid and consistently the richest spirit in the room, Libby Broocks photographs. She is our creator. We are the subject. Both are showcased on Fulltime Friend. (I’ve been having a debate over this for the longest time, perhaps Libby’s subjective vision is the subject and we -the image- are the creator. That’s a conversation for another day. But most importantly…) She finds life in us. In both candid and mildly, consciously staged photos we become the faces defining the scene for our generation.

And what then plagues me? Will Paul and I be the next Ian and Tom Ford? Are we the subjects/creators that will fashion an iconic photograph with Libby? Will we take advantage of  the resources provided by all of us artists thrown together with no inhibition? Or are we just kids partying?

I’d argue we are something more (and can if you’d like me to) and I have no doubt that all of us spend our time trying to prove it, both in the studio and at a club.

A Taste: The Pear, the Quarry and Paul

I wanted, very much, for a year-in-review to be my first blog post. Well, I haven’t finished it. Too much has happened, too much needs to be said… but first, digested.

This is my favorite bit of writing to date, “The Pear, the Quarry and Paul.” Enjoy:

There are certain moments, cast in such specific light, that trigger a phenomenon that I’ll struggle, now, to describe for you.

It’s a process of reinforcement, of bolstering the mind and soul. Without proper understanding it could be confused as duplication or rehashing, even nostalgia. My argument is that of something more.

Where to begin? A description of the inciting events? A clear explanation of the passage that precedes this one? As time is a theme of this piece, we will begin here and now.

The only fruit I ever crave is the pear. I more regularly indulge in berries; blackberries or raspberries. But it is the pear that, when I am reminded of and pursue my want for, I am most greatly rewarded. There is a familiarity there, some unrememberable association from early childhood that allows me to simultaneously walk through many times and places. To relive sweet, life-rich memories. A multitude of Davids finding happiness at once, over the fields of memory. I, now, sit with the slices – silvery, green, a wet cream opal – of this pear, but with it I travel.

With this idea of the pear, let us now travel.

In the tumult that was college I took my best friend home for a weekend. She had been and continues to be, my rock; Diamond hard, as rare as an emerald, more valuable to me than either. My treasure.

Somewhere between Danbury and Westport we ended up at a mansion party with throngs of my then, still childlike, younger friends: physically beautiful, mentally free, high school attending princes and princesses. I was drawn to them, and back to them, by their ability to both capitalize and squander their exquisite powers of body and privilege.

Drunk on a bottle of Cristal, belonging to someone’s absent mother, cheers erupted around us.

“To the quarry! To the quarry!”

Swept up on wings of debaucherous adventure and Connecticut-style rule breaking we piled into cars and pursued. I remember nothing about the ride save for sitting backward in the trunk of Volvo station wagon and starred sky.

Twenty or so of us parked along the road beside a forest. In the almost hushed tones of paranoid drunks, we spread the warning: entering private property.

We commenced with a winding hike through the moonlit silvers – turning evergreens into still lifes, trapped in the mangled arms of deciduous neighbors.

Every so often we would lose a couple to a shrub, and after a questionably long, late night trail tour, we found the quarry.

With a fringe of onlooking trees and a cliff face rising opposite our position, we stood on the gravel shore of a mirror of the sky.

As a true representation of youth, we sought to destroy it. Quickly we stripped. The true adventurers, shoeless, ran through the trees making their way for the cliff. Maggie and I ran straight for the water and with all the force we could muster shattered the plain of the mirror, over and over – rippling the land and sky into waves, plunging through cool waters, crystals, time both our own and time belonging to the forest – to the family that carved out the quarry, to the rain the filled it and the ground water that fed it, to those that did this before us, to the animals that drank from it – traveling so fast through space and time we touched the event, or the creator that provided it, this mass, with life. All in a moment. There were thousands of smiling Davids, all held within me. This one vessel touched every great summit. More importantly, and the point of this exercise, a new me was created: one who will always walk happily through the quarry with Maggie.

I pull you now to time just before the pear.

The tumult is far greater, far more real than anything experienced in college. My struggles have deepened, and with them, the stress carried in my jaw and the recession in the light and set of my eyes. My ability to make justified assumptions or envision days beyond the moment I live in.

But the pear and the quarry visited.

This isn’t turning into a love story. It remains a life story, mind you.

I introduced Paul to a world I walk in, sometimes, like a prince. There, Le Royale, none the less, I was surrounded by people – and I say this without ego and a genuine lack of truly knowing why – who have made efforts to covet me. People who’ve made clear a desire to both fuck and date me. People, who I suspect, like me because I am still mysterious, because I withhold from them. Because I reject them, holding out for something different.

Again, without ego or exaggeration, this night was difficult for them and none hesitated to let me know.

My crime was showing vulnerability. With Paul, others cease to exist. The backdrop and supporting cast smear like a priceless painting left in the rain, with only its subject – him – so beautiful that the elements themselves are scared to touch.

Carelessly drunk and mildly addled by the treatment I quietly underwent at the hands of others, I danced with Paul. With ego, I do say that three ladies all commented that we were some version of the best or most adorable dance couple that they’d seen. I was equal parts disturbed by plans I overheard about “dividing and conquering” us, and at peace being there, at peace, with him.

With that as my set-up, we fast forward to the crux. The climax. The pear.

The bathroom window was open. The lights were off. The tiles glowed silver, the same light that bathed the quarry, only years younger. (If light, as I suspect, can age.) The same light that glistens in the nectar pockets of my pear now.

Thick, warm clouds of steam rolled out the window – sailing four stories down, dispersing in the air, delivering his scent to as many lungs, human or not, in every corner of the world. He mixed with the air and settled with the sea.

His skin was the tone and texture of marble. He was the moon.

I was naked, not yet in the shower. Self conscious. Terrified. Not wanting to destroy the picture. I don’t recall ever seeing anything quite so beautiful in my entire life. His posture. His proportion.

And when it all became to much, when life brimmed over with an exquisite awe, and I stepped in, I traveled time.

To his quickened breathing minutes before and the release of cages of Monarchs in my ribs, fluttering about singing with the voices of songbirds.

And I was six, naked, collecting shells on a sandbar with my father steps from our hotel in Molokai.

I was looking at myself, in Paul’s eyes, when we first met.

As life continued to pour forth I revisited first love and first kiss. I drove alone through the hills that nourished me as a young artist.

I was dancing around the fire pit in Thailand, wearing my robes, kicking up sand, covered in sweat and soot and dust, stomping my feet to the musical instruments our villagers had crafted. Flailing my arms, undulating rhythmic and tribal and as the surreal reality of that memory pushed my very limits of happiness, I was in my imagination.

Paul and I were naked, running through mossy forests of mythology. Younger. Boys. Spirits. Of the trees and of the water. Powerful, especially in our pull over people. Devilish, oft times unaware of why or how. The world was new, but we were timeless. And he smiled.

So we kissed. Then and there, in the present of the shower. I was not surprised to discover that his lips were as cool and soft as ever.

My pear is gone, but inside me right now, you will find a David eating it, a David at the quarry with Maggie, and David with Paul. In each of them, you will find a silver imprint of unknowable better versions of me.

Published in:  on January 2, 2009 at 6:05 am Leave a Comment
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